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- W4284694597 abstract "The chapter poses a very simple but important question: How did Lee Krasner make her artistic move from one painting to another across a moment of crisis in art and life in 1956–57? How did an abstract painter defy a figure that had emerged in her work? In early summer 1956 Krasner faced such a profound challenge. As a dedicated abstract painter who had been so since the later 1930s, she unexpectedly found herself confronting a monstrous figure that surfaced on her canvas, which she unnervingly titled Prophecy. Disturbed by the turn in her work, and taking a break from life with Jackson Pollock, who had once again succumbed to alcoholism, Krasner went to Europe where she soon learned of his tragic death. She returned to battle with grief but also with the unexpected ‘arrival’ of an image, a monumental figure in her own work. Who or what had surfaced in Prophecy? How did she deal with this? What was at stake? What led to the jouissant painting, Sun Woman I (1957)?" @default.
- W4284694597 created "2022-07-08" @default.
- W4284694597 date "2022-07-05" @default.
- W4284694597 modified "2023-09-26" @default.
- W4284694597 title "Prophecy, 1956" @default.
- W4284694597 doi "https://doi.org/10.7765/9781526164193.00008" @default.
- W4284694597 hasPublicationYear "2022" @default.
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