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- W4285227557 abstract "Although Ophelia’s death has been variously interrogated, especially in terms of its floral attributes, scholars have paid relatively scant attention to its liquid process. My chapter argues that Ophelia’s drowning performs a burial rite that counters her final interment in earth. Gertrude’s description of Ophelia’s dying radicalizes the convention of the locus amoenus, defines death as dissolution, and privileges water as permitting a terra-aqueous embrace that returns a creature to its origins. Her description mystifies death even in its final image of mud. Whereas Hamlet insists in the next scene that we end as dust and inchoate scatter, Gertrude suggests that Ophelia’s body layers with history the mud in which it is embedded. With these details, Shakespeare figures an ecology of the female body whose interaction with elemental nature, even in death, is permeable and deliquescent." @default.
- W4285227557 created "2022-07-14" @default.
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- W4285227557 date "2022-01-01" @default.
- W4285227557 modified "2023-09-27" @default.
- W4285227557 title "“Native and Indued / Unto that Element”: Dissolution, Permeability, and the Death of Ophelia" @default.
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- W4285227557 doi "https://doi.org/10.1007/978-3-030-88490-1_12" @default.
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