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- W4285333232 abstract "This chapter examines George Miller's <italic>Mad Max: Fury Road</italic> (2015). <italic>Fury Road</italic> has sociological value in illuminating the contribution of feminist resistance, gender cooperation, and feminist statehood to the critique of an ostensibly neutral jurisprudence that disguises male supremacism, but its contribution to the discipline of sociology is the way in which the narrative stages the urgency of the need for radical feminism. Radical feminism is not special pleading or reverse discrimination but a lifting up of all as the most-marginalised group in society leads the struggle for social justice. The final shot of the film operates in both the representational and extra-representational dimensions of the work. <italic>Fury Road</italic> ends at precisely the right point, with male supremacism overthrown and the promise of the feminist state to come, a state of radical feminist governance that is not only possible but desirable." @default.
- W4285333232 created "2022-07-14" @default.
- W4285333232 creator A5065080391 @default.
- W4285333232 date "2021-11-08" @default.
- W4285333232 modified "2023-09-28" @default.
- W4285333232 title "The Critical Sociology of Mad Max: Fury Road" @default.
- W4285333232 doi "https://doi.org/10.1332/policypress/9781529219678.003.0003" @default.
- W4285333232 hasPublicationYear "2021" @default.
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