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- W4285342023 abstract "This chapter analyzes the integration of this Orphic force with concepts of eros in the English <italic>epyllia</italic>, long narrative poems on Ovidian themes. These poems, briefly and massively popular in the 1590s, entangle desire and poetic force so as to depict wantonness as both the vehicle and the profit of <italic>poesis</italic>. Glancing briefly at Francis Beaumont's <italic>Salmacis and Hermaphroditus</italic> (1602), as well as Shakespeare's <italic>Venus and Adonis</italic> (1593), the chapter concentrates on Thomas Lodge's <italic>Scillaes Metamorphosis</italic> (1589) and Christopher Marlowe's <italic>Hero and Leander</italic> (1598). The entanglements of eloquence and desire in these poems suggest that in order to harness the power of Orpheus's song, the English poet must become thrall to a larger force. The chapter tracks the wanton motions of Orphic poesy in the poems in order to explore how English poets put Orpheus's “drawing” force on trial. This wanton <italic>poesis</italic> ultimately wanders before and beyond its putative source (the poet Orpheus), suggesting that poetry is a kind of feedback loop." @default.
- W4285342023 created "2022-07-14" @default.
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- W4285342023 date "2021-10-26" @default.
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- W4285342023 title "Drawing" @default.
- W4285342023 doi "https://doi.org/10.23943/princeton/9780691219226.003.0004" @default.
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