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- W4285362032 abstract "This chapter starts from an acknowledgement that Deleuze did not pay attention to blockbuster films, or exploitation films, or any of the standard B films that make up the bread and butter of Hollywood. By focusing almost exclusively on the ‘great’ directors and their artistic achievements Deleuze neglects both the audience and the industry that enables cinema. This chapter argues that if one approaches cinema from the perspective of the books he wrote with Guattari, it is possible to imagine a version of cinema studies that could be considered schizoanalysis." @default.
- W4285362032 created "2022-07-14" @default.
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- W4285362032 date "2021-09-24" @default.
- W4285362032 modified "2023-09-27" @default.
- W4285362032 title "Five Theses for an Actually Existing Schizoanalysis of Cinema" @default.
- W4285362032 doi "https://doi.org/10.3366/edinburgh/9781474487887.003.0005" @default.
- W4285362032 hasPublicationYear "2021" @default.
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