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- W4285371337 abstract "This chapter tackles what many critics and scholar note about Ozon’s work, that is his blending of fiction and reality. Here, the chapter brings forth the film’s singular treatment of subjectivity, the blurring of the distinction between diegetic reality and fiction and the overall sense of ambiguity that pervades the narrative. Adding to the scholarship on <italic>Sous le sable</italic>/<italic>Under the Sand</italic> (2000), this contribution turns to Gilles Deleuze’s crystal-image and queer theory and reminds us that ambiguity, ambivalence and indiscernibility are crucial to deciphering Ozon’s films and open up concepts of space, time and identities." @default.
- W4285371337 created "2022-07-14" @default.
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- W4285371337 date "2021-08-31" @default.
- W4285371337 modified "2023-10-16" @default.
- W4285371337 title "The Crystal-image and Queer Ambiguity in Sous le sable" @default.
- W4285371337 doi "https://doi.org/10.3366/edinburgh/9781474479912.003.0005" @default.
- W4285371337 hasPublicationYear "2021" @default.
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