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- W4285376660 abstract "In the early 20<sup>th</sup> century, music was explicitly tied to a culture’s level of civilization—the closer to European music, the more civilized the culture that produced it. The Philippine Constabulary Band, one of the most popular military bands at the St. Louis Worlds’ Fair of 1904, was juxtaposed next to the tribal people of the Philippines as visual and audible proof of the U.S.’ successful project of civilizing Filipinos. The band’s conductor, Lt. Loving, could not be explained by this simple narrative and his identity as a Black American officer was nearly absent from most newspaper reports. The band played “Stars and Stripes Forever” more than any other band to highlight the achievement of U.S. rule in the Philippines. An imperial way of hearing the band’s music-making allowed Americans to take credit for Filipinos’ tutelage and achievement while forgetting the violence and death of colonial rule. This chapter provides a rare glimpse into the ways that music could bridge differences between individuals, frequently breaching social norms and racial restrictions in some instances not reported by newspapers." @default.
- W4285376660 created "2022-07-14" @default.
- W4285376660 creator A5089781514 @default.
- W4285376660 date "2021-08-23" @default.
- W4285376660 modified "2023-09-24" @default.
- W4285376660 title "Marching to Racial Progress: Civilizing Filipinos at the 1904 St. Louis World’s Fair" @default.
- W4285376660 doi "https://doi.org/10.14325/mississippi/9781496835666.003.0003" @default.
- W4285376660 hasPublicationYear "2021" @default.
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