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- W4285663336 abstract "To explore the conditions that generate some of the striking aesthetic choices in contemporary Chilean cinema and their possible meanings, this chapter situates these films in the context of “World Cinema” discourses on cinematic realism. The transnational connections of the films’ realist aesthetics, and the historical predecessor of neorealism are put into dialogue with locally specific meanings and supplementary associations as well as specific alienations in contemporary neoliberal Chilean society. Chilean films <italic>Post Mortem</italic> (Pablo Larraín, 2010), <italic>Tony Manero</italic> (Pablo Larraín, 2008) and <italic>La Danza de la Realidad</italic> (Alejandro Jodorowsky, 2013) explore the means and capacity of the cinematic medium in the making and telling of historical events." @default.
- W4285663336 created "2022-07-17" @default.
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- W4285663336 date "2020-08-01" @default.
- W4285663336 modified "2023-09-25" @default.
- W4285663336 title "The Politics of Realism in Chilean Cinema" @default.
- W4285663336 doi "https://doi.org/10.3366/edinburgh/9781474436991.003.0008" @default.
- W4285663336 hasPublicationYear "2020" @default.
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