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- W42864856 abstract "a recent New York Times article detailing the declining popular appeal of subtitled foreign films, film professor Peter Brunette is quoted as saying, Most people would feel funny teaching a course on Ingmar today. It seems old-fashionedyou know, the great white European artist. Now the academic world looks at film as a function of culture55 (Lee sec. C p. 7). My subjective impression of current college-student tastes, as well as my experience with current research trends in film studies as an academic discipline, would seem to confirm this view. The Bergman film55 as critical category has without question lost the intellectual currency it once enjoyed in American university environments, even if one must hasten to add that its remarkable luster in that context in the 1970s sets an unreasonably high standard of comparison. The turn in film-studies programs away from auteurbased to cultural-studies methodologies, genre-driven analysis, media theory, and theoretically informed film history has indeed made the idea of a course on Ingmar Bergman's films, or any single director for that matter, if not embarrassing,55 then at least conceptually problematic." @default.
- W42864856 created "2016-06-24" @default.
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- W42864856 date "2016-01-01" @default.
- W42864856 modified "2023-09-26" @default.
- W42864856 title "Tracking Out: The Bergman Film in Retrospect" @default.
- W42864856 hasPublicationYear "2016" @default.
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