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- W4288032932 abstract "The turn of the nineteenth century saw the growth of a rich media ecology that absorbed antiquarian information and made the past available with an unprecedented degree of realism and immediacy. This essay reinserts Ann Radcliffe’s Gaston de Blondeville and Walter Scott’s Kenilworth into the context of the metropolitan shows and visual entertainments from which these romances emerged. While Radcliffe’s and Scott’s works are set, respectively, in thirteenth- and sixteenth-century England, their renditions of the national past respond to the frenetic culture of early nineteenth-century medial innovation. Radcliffe and Scott explore how new media widened participation in historical debates while also fostering new intellectual and affective modes of relating to the material traces of the national past. Both authors thought about the medial transmission of the past and the formation of historical consciousness as intertwined processes. For Radcliffe and Scott, this perspective had far-reaching consequences for how we comprehend our epistemological purchase on the distant past as well as the political implications of the democratization of antiquarian information in the present. I show that Gaston de Blondeville and Kenilworth are deeply concerned with the status of the book at a time when modish new media produced immersive spectacles that offered audiences a definite, concrete picture of the past. For Radcliffe and Scott, the properties of the printed codex facilitate the transmission of the past through time while also, crucially, guarding against the past’s congealing into a fixed formation." @default.
- W4288032932 created "2022-07-27" @default.
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- W4288032932 date "2022-08-01" @default.
- W4288032932 modified "2023-09-26" @default.
- W4288032932 title "Popular Antiquarianism, New Media, and the Book: The Cultural Transmission of the Past at the Turn of the Nineteenth Century" @default.
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- W4288032932 doi "https://doi.org/10.1086/720525" @default.
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