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• W4288769718 abstract "AbstractPueblo architecture in Northern New Mexico has been characterized by an interesting continuity in building practices during the last millennium, which embraces distinct periods of architectural development—all dependent on the use of native materials—until the most recent centuries, when various new building materials were introduced and systematically adopted. As a result, the transient and plastic nature of the traditional ‘adobe’ was replaced by the durable and unmalleable properties of substitute imitative materials. Along with new resources and groups of people moving to the area, new architectural forms and everyday practices were assimilated, initiating a debate concerning the historical compatibility of such choices, and the Pueblo communities’ ability to protect and lead the historical continuity of the region’s authentic architecture, customs, and traditions. In the Pueblo culture, stories, myths, and all ceremonial and liturgical expressions evoke a world in which a dwelling and its elements are part of a cosmological realm characterized by interconnectedness and multiplicity—both in time and space—linking a multitude of experiences and realities. Objects, in all their artistic expressions, are integral parts of this mythical materialization, and are able to regenerate and re-propose weakened connections, becoming central means in the collective quest for cultural continuity. From the above perspective, this paper aims to explore the profound interconnectedness of Pueblo arts and architecture in the Rio Grande Valley of New Mexico, recognizing both the cosmological and empirical aspects of these merging, multiple worlds, in which the materiality of the cultural form is unceasingly projected toward the cultural human environment. In doing so, arts and architecture are symphonically able to restore and reinvigorate languishing meanings and linkages to the past, fostering a new sense of community and place grounded in the essence of the Pueblo traditions, but focused on the future of the observing communities, re-making and re-establishing their identities in an increasingly complex world, which has experienced both continuity and discontinuity of practice. This kind of approach represents an opportunity to increase awareness through the creative enhancement of cultural heritage. The ultimate purpose of this paper is to provide a valuable contribution to the regeneration of the landscape in Northern New Mexico with the following outcomes: (1) Opening a debate about the critical elements and issues that surround the relations between the traditional architectural and artistic expressions of Northern New Mexico and the extant physical environment; (2) Defining the objectives upon which depends the regeneration of the physical environment through an integrated approach that encompasses the active involvement of the Pueblo communities in the enhancement of their cultural heritage, through capability building and co-creation; (3) Identifying those strategies and tools that allow Pueblo communities, planners, and decision-makers in specific geographical areas of New Mexico to include all the above objectives in actual planning, promoting sustainable local development.KeywordsCultural landscapeSustainable regenerationIdentityPueblo architecturePueblo communities" @default.
• W4288769718 created "2022-07-30" @default.
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• W4288769718 date "2022-01-01" @default.
• W4288769718 modified "2023-09-26" @default.
• W4288769718 title "The Interconnectedness of Pueblo Arts and Architecture and Its Significance in the Sustainable Regeneration of the Northern New Mexico’s Cultural Landscape" @default.
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• W4288769718 doi "https://doi.org/10.1007/978-3-030-99480-8_16" @default.
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