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- W4289715005 abstract "‘‘The Armadillo’, the art of description, and ‘Brazil, January 1, 1502’’ invites the reader to focus in detail on a single poem, ‘The Armadillo’, a favourite of Robert Lowell’s and of many readers since it first appeared in 1957 in The New Yorker. It is valuable to see how a Bishop poem often works and the workings of her descriptive habits. The poem has underlying ecological sentiments and exhibits a rather exceptional nature as a prophetic poem subtly indebted to Revelation. Bishop deepens description through narration and history. We can juxtapose her methods against the descriptive habits of Marianne Moore. A textbook example of these practices at work can be illustrated with ‘Brazil, January 1, 1502’." @default.
- W4289715005 created "2022-08-04" @default.
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- W4289715005 date "2022-03-24" @default.
- W4289715005 modified "2023-09-27" @default.
- W4289715005 title "3. ‘The Armadillo’, the art of description, and ‘Brazil, January 1, 1502’" @default.
- W4289715005 doi "https://doi.org/10.1093/actrade/9780198851417.003.0003" @default.
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