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- W4289718835 abstract "This chapter considers the poet as a performer. It discusses Baudelaire’s understanding of beauty as an effect of heightened attention and spiritual intensity (or <italic>ivresse</italic>) brought on by the poet-artist’s performance, and a performance such that the creativity and positivity implicit in the act of poetic writing ‘contradict’ and resist—but do not deny or minimize—the destructiveness at the heart of human experience. In preparation for Part II, which analyses <italic>Les Fleurs du Mal</italic> as a performance of melancholy, the chapter presents two paradigmatic incarnations of the poet-artist as instigator of beauty and alternative lawgiver: first, the Spanish guitarist depicted in ‘Du vin et du hachisch’ as a combination of Orpheus and Christ and whose music gives harmonious, intoxicating expression to the rhythms of life; and second, Fancioulle, the clown protagonist of ‘Une mort héroïque’, whose performances resist the tyranny of a Prince—and melancholy itself—by creating an effect of beauty." @default.
- W4289718835 created "2022-08-04" @default.
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- W4289718835 date "2021-09-16" @default.
- W4289718835 modified "2023-10-16" @default.
- W4289718835 title "The Poet-Artist as Performer" @default.
- W4289718835 doi "https://doi.org/10.1093/oso/9780192843319.003.0004" @default.
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