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- W4289718879 abstract "This chapter situates the emergence of Baudelaire’s prose poems within the context of nineteenth-century French journalism. It considers briefly the nature of Baudelaire’s debt to Aloysius Bertrand’s <italic>Gaspard de la nuit</italic> and, more extensively, the implications of the collection’s possible titles. It assesses the role of Paris in these poems and proposes that as a title (and as a collection) <italic>Le Spleen de Paris</italic> expresses a poetics of resistance to the false, dogmatic wisdom peddled by the public discourse of the nation’s capital. The chapter then focuses on the publication of Baudelaire’s prose poems in the <italic>feuilleton</italic> section of <italic>La Presse</italic> in 1862. It discusses the history and nature of the <italic>feuilleton</italic> as a context for Baudelaire’s ‘counter-discourse’, and it argues that his prose poems serve to cast insistent and radical doubt on the very possibility of asserting meaning—of laying down the law." @default.
- W4289718879 created "2022-08-04" @default.
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- W4289718879 date "2021-09-16" @default.
- W4289718879 modified "2023-09-28" @default.
- W4289718879 title "Prose Poetry and the Press" @default.
- W4289718879 doi "https://doi.org/10.1093/oso/9780192843319.003.0022" @default.
- W4289718879 hasPublicationYear "2021" @default.
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