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- W4289718905 abstract "This chapter examines how the double agency of Baudelaire’s poet-performer is manifested in ‘Spleen et idéal’: that is, of a poet reduced by the experience of sexual passion to a state of melancholy and a poet who resists melancholy through poetry—but resists by staging this polarity not merely as antagonism but also as harmony, as both a duel and a waltz. The chapter traces the details of this performance through the so-called ‘love cycles’ and shows how, as this very sense of cyclicity grows, so the evidence of poetic virtuosity mounts. As the themes and images of melancholic passion monotonously recur, the poet’s technique becomes increasingly innovative, so that, as poem follows upon poem, poetic craft emerges as an alternative legislation. Life repeats itself, but each poem is very precisely <italic>not</italic> the same. Poets cannot change the world, but they can change the way we perceive it." @default.
- W4289718905 created "2022-08-04" @default.
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- W4289718905 date "2021-09-16" @default.
- W4289718905 modified "2023-09-25" @default.
- W4289718905 title "The Performance of Melancholy" @default.
- W4289718905 doi "https://doi.org/10.1093/oso/9780192843319.003.0017" @default.
- W4289718905 hasPublicationYear "2021" @default.
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