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• W4291289364 abstract "Break-in ’ Point , a 2012 arts and science performance and community engagement research initiative, was presented in the spring and fall semesters at the University of Leeds in the United Kingdom at Stage@Leeds. The outcome of a collaboration between dance artist A3 and theoretical physicist A2, under the direction of performance researcher A1, Break-in ’ Point is based on a series of real-life encounters at intersections of arts and science – exploring force, risk, exposure and resilience. The Break-in ’ Point performance offered an interrogation of the critical point at which physical, mental, and/or emotional strength give way under stress – causing structural degeneration and the experience of what lies beyond. This article is an examination of the performance, reviewing and analysing it as an imagined somatic zone – embodied encounters that transcend temporal bound-ness, compelling and igniting new possibilities – that engaged spiritual and epistemological transformation of performers and audiences. The article addresses three main periods in the life of Break-in’ Point : (1) the development period – script building and rehearsals, (2) the performance – live encounters between and among performers and audiences and (3) beyond the theatre – digital engagements in the classroom and pedagogy. The article contributes new concepts and new ways of thinking about science education, the role of digital technology in pedagogy, dance/theatre public engagement and community arts practices as practices of healing, health and resilience." @default.
• W4291289364 created "2022-08-14" @default.
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• W4291289364 date "2022-07-01" @default.
• W4291289364 modified "2023-09-27" @default.
• W4291289364 title "<i>Break-in’ Point</i>: Somatic narratives: The convergence of arts and science in the transformation of temporal communities" @default.
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• W4291289364 doi "https://doi.org/10.1386/jdsp_00073_1" @default.
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