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- W4292961947 abstract "Looking back to structural film's most notable period of prominence and intensified activity, which lasted from the late sixties through the early to mid-seventies, this study analyzes the German-Argentine filmmaker Narcisa Hirsch's Come Out (1971), a film that emerged, at least in part, from her experience of seeing Michael Snow's film Wavelength (1967) and her response to its ability to generate psychological tension, an effect of Snow's film that is surveyed here through a discussion of its early reception. Without relinquishing a high degree of ambiguity, Hirsch sought to unite the tension that structural film could produce in the spectator with politically provocative content, relayed through her appropriation of the 1967 tape piece Come Out by the composer Steve Reich. This essay also discusses how Hirsch later responded to another film of Snow's, A Casing Shelved (1970), in her film Taller (a.k.a. Workshop , 1973/1974)." @default.
- W4292961947 created "2022-08-24" @default.
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- W4292961947 date "2022-08-19" @default.
- W4292961947 modified "2023-09-26" @default.
- W4292961947 title "Agitation and Involvement" @default.
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- W4292961947 doi "https://doi.org/10.1002/9781119107934.ch13" @default.
- W4292961947 hasPublicationYear "2022" @default.
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