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- W4293535351 abstract "Classical authors were generally artistic realists. The predominant aesthetic theory was mimesis, which saw the truth of art as its successful representation of reality. High modernists rejected this aesthetic theory as lifeless, seeing the truth of art as its subjective expression. This impasse has serious consequences for both the Church and the public square. Moving forward requires both, first, an appreciation of the strengths and weaknesses of the high modernist critique of classical mimetic theory, and, second, a theory of truth which makes adequate reference to both subject and object. This paper argues that Lonergan offers just such an account of truth, and so cashes out the high modernist rejection of classical mimesis in Lonergan’s terms, thereby creating the opportunity for a synthesis of the two views." @default.
- W4293535351 created "2022-08-30" @default.
- W4293535351 creator A5086829060 @default.
- W4293535351 date "2020-01-01" @default.
- W4293535351 modified "2023-10-13" @default.
- W4293535351 title "Aesthetic Truth Through the Ages" @default.
- W4293535351 doi "https://doi.org/10.5840/acpaproc2022829135" @default.
- W4293535351 hasPublicationYear "2020" @default.
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