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- W4297061214 abstract "David McInnis’s Shakespeare and Lost Plays: Reimagining Drama in Early Modern England successfully addresses a seemingly intractable problem: understanding Shakespeare’s theatrical context and dramaturgy depends on knowledge of a large corpus of plays—indeed, the majority of early modern commercial drama—which simply has not survived. This book demonstrates the “mutually illuminating enterprise” of studying lost plays, shedding new light on extant plays in addition to the lost plays themselves (19). The recurring metaphor employed in Shakespeare and Lost Plays is Rubin’s Vase (where a viewer successively perceives a vase and two human faces), which reveals that “figure” and “ground” are relative terms, with neither necessarily deserving priority (22). Instead, both give shape and meaning to the other: the picture of surviving drama comes into sharper relief when lost plays are assessed. Chapter 1, “Charting the Landscape of Loss,” challenges received wisdom about lost drama, showing that “lost plays performed significantly better (financially) and were of greater value to a commercial company than scholars have traditionally acknowledged” (27). By all accounts, Shakespeare’s Love’s Labor’s Won—a single-authored, well-regarded play (praised by Francis Meres), produced by a company with sustained ties to its playwright, and printed in quarto—should have survived, while we might expect inferior, unprinted, collaborative plays of contested ownership to fade into oblivion. The loss of Love’s Labor’s Won, then, conveys the paradoxes and idiosyncrasies that surround lost plays." @default.
- W4297061214 created "2022-09-26" @default.
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- W4297061214 date "2021-10-01" @default.
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- W4297061214 title "<i>Shakespeare and Lost Plays: Reimagining Drama in Early Modern England</i>. By <scp>David McInnis</scp>" @default.
- W4297061214 doi "https://doi.org/10.1093/sq/quac031" @default.
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