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- W4300813478 abstract "This chapter surveys the dominant themes of canto 5 of <italic>Inferno</italic>: the analysis of desire, reciprocity in love, the adumbration of subjectivity, and the mediation of the book. Before Dante's account in canto 5, there was no known record of the love story of Francesca da Rimini. His portrait of her emerges in astonishingly few verses and, in its passion and pathos, emulates and rivals Virgil's portrayal of Dido. In her monologue, Francesca sums up in retrospect the genesis, consummation, and fatal consequences of the love she shared with her inseparable companion in Hell, whom she does not name. Her celebrated apostrophe to love, the unforgettable anaphora on “Amore,” is at once succinct and profound, a rhetorical representation in miniature of consciousness and interiority without precedent in the Middle Ages." @default.
- W4300813478 created "2022-10-04" @default.
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- W4300813478 date "2015-09-01" @default.
- W4300813478 modified "2023-09-27" @default.
- W4300813478 title "The Portrait of Francesca" @default.
- W4300813478 doi "https://doi.org/10.5422/fordham/9780823264278.003.0002" @default.
- W4300813478 hasPublicationYear "2015" @default.
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