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- W4301104130 abstract "This article outlines and assesses the sociopolitical context of the 1950s and 1960s in Britain — the end of the time of austerity, the Suez Crisis, the declining strength of Britain as a player on the world stage — while, at the same time, taking into account the ‘cultural revolution that transformed London into ‘swinging London and saw Britain emerge as a market leader in pop and fashion. Literature reacted and responded to those political and cultural shifts. Ian Fleming's James Bond series is read here as politically charged work: by creating a British super-spy who repeatedly saves the world from imminent disaster, and thereby ‘putting Britain on top again, Fleming tried to assert a British influence on world events that was no longer a reality." @default.
- W4301104130 created "2022-10-04" @default.
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- W4301104130 date "2012-01-01" @default.
- W4301104130 modified "2023-10-17" @default.
- W4301104130 title "Putting England Back on Top? Ian Fleming, James Bond, and the Question of England" @default.
- W4301104130 doi "https://doi.org/10.1353/yes.2012.0008" @default.
- W4301104130 hasPublicationYear "2012" @default.
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