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- W4307250485 abstract "This chapter focuses on the complex visual rhetoric and the contemporary reception of Hendrick Goltzius’ Adoration of the Shepherds which was handed down in six different printed versions, all of which are unfinished. I will argue that the engraving’s non-finito functions as a metapictorial device to reflect on both the process of artistic creation, as well as on the general problem of depicting and perceiving mysteries of faith. These conceptually completed, but seemingly fragmentary works offer trajectories of vision that paradigmatically demonstrate the limits of representability. By oscillating between figuration and defiguration, the pictorial sequence thus explores the epistemic potential of the engraving as a medium of divine transcendence." @default.
- W4307250485 created "2022-10-30" @default.
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- W4307250485 date "2022-10-10" @default.
- W4307250485 modified "2023-09-26" @default.
- W4307250485 title "Mysterium als Bildsequenz. Die Ästhetik des unvollendet Vollendeten in der Anbetung der Hirten von Hendrick Goltzius" @default.
- W4307250485 doi "https://doi.org/10.1515/9783110725322-007" @default.
- W4307250485 hasPublicationYear "2022" @default.
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