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- W4307695447 abstract "The Noise Upstairs (NU) is a monthly freely improvised (‘free improv’) music night with a home above a café bar in a mixed/student suburb of Manchester. This chapter uses the perspective of critical improvisation studies to reflect on aspects of a performance ethnography carried out by the authors, both of whom are performers and one of whom (Hunter) curates the NU night for the NU collective. Free improv is a post-1960s set of meta-musical practices related to but contesting both ‘jazz’, ‘free jazz’, ‘new music’ and ‘experimental’ music. In it, real-time co-creation and negotiation of social-and-musical relationships are paramount. Consequently, the question of whether a politics of sorts is enacted in the dialogic and multilateral socialities generated in free improv is a substantive one. In addressing it, the authors deploy some concepts from the ‘affective turn’ in social theory to review how the general milieu and out-of-the-hat ensemble-formation approach adopted at NU in fact enables a ‘minor’ micro-political practice of participating differently to be established there. Arising from that discussion, and in line with a key theme of the wider PARTISPACE study, the authors then discuss whether that politics might meaningfully (and usefully) be articulated in terms of ‘democracy’." @default.
- W4307695447 created "2022-11-05" @default.
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- W4307695447 date "2022-11-14" @default.
- W4307695447 modified "2023-09-30" @default.
- W4307695447 title "Pulling a Politics Out of the Hat at ‘The Noise Upstairs’ (A Manchester Case)" @default.
- W4307695447 cites W2609859227 @default.
- W4307695447 doi "https://doi.org/10.1108/978-1-80043-358-820221011" @default.
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