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- W4309037029 abstract "This paper examines the second volume of the Netflix series Love, Death & Robots (2021) to demonstrate how the technologization of the body essentially questions and critiques the “human” condition and focuses on the idea of the boundary collapse between the human and the posthuman. Having examined Katherine Hayles’s expansion of the theory of “bodies without organs,” the essay argues that the posthuman beings of Love, Death & Robots strive to transcend the constraints of their embodiment and proceed to develop their individualism. This essay establishes that the series has emerged as a space wherein the impact of emerging technologies on the body in order to achieve political agency has been exposed, examined and critiqued. This paper further examines how the intra-active entanglement of matter, substance, multidimensional entanglements, and storytelling makes Love, Death & Robots expand the semiotic space of “worlding.”" @default.
- W4309037029 created "2022-11-21" @default.
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- W4309037029 date "2022-11-14" @default.
- W4309037029 modified "2023-10-05" @default.
- W4309037029 title "Violent Delights and Bodieswithout Organs: Technologization of the Body in <i>Love, Death & Robots</i>" @default.
- W4309037029 doi "https://doi.org/10.14220/trns.2022.1.2.153" @default.
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