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- W4309372240 abstract "Abstract Mercadante’s so-called reform operas exhibit a harmonic style that suggests study of Meyerbeer’s French operas. His free use of chords is close to Verdi’s usage a decade later. His concept of an opera as an unchangeable work also anticipates Verdi. Modulations within numbers are unusually wide-ranging; beginning and ending keys may relate by semitone. Donizetti, during the last years of his career, tailored his style to the city for which he was writing, and his attitude toward an opera’s musical text was more relaxed. The final act of La favorite is examined in detail. The unconventional ending of Maria di Rohan is also discussed." @default.
- W4309372240 created "2022-11-26" @default.
- W4309372240 creator A5083335477 @default.
- W4309372240 date "2022-12-18" @default.
- W4309372240 modified "2023-09-23" @default.
- W4309372240 title "Around 1840: Mercadante and Donizetti" @default.
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- W4309372240 doi "https://doi.org/10.1093/oso/9780197609682.003.0012" @default.
- W4309372240 hasPublicationYear "2022" @default.
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