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- W4310362793 abstract "In this chapter I explore foundational musical genres from the eighteenth through the late nineteenth centuries, emphasizing how and why topics like social class, race, and gender found their way to the US American musical stage. By tracing the evolution of the variety revue, vaudeville, and the minstrel show, it becomes clear that early American musical theatre existed on a continuum that was deeply intertwined with a number of the era’s pressing social issues. Thus, the Broadway stage has always been a mirror for race, class, and gender norms since its foundation." @default.
- W4310362793 created "2022-12-09" @default.
- W4310362793 creator A5077912511 @default.
- W4310362793 date "2022-11-29" @default.
- W4310362793 modified "2023-09-25" @default.
- W4310362793 title "From Ballad Opera to Minstrelsy and Back" @default.
- W4310362793 doi "https://doi.org/10.4324/9780429260247-11" @default.
- W4310362793 hasPublicationYear "2022" @default.
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