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- W4310362824 abstract "All elements of musical theatre—including song, dance, and design-contribute to the world building that informs musical theatre dramaturgy. As this chapter suggests, how these elements build worlds varies based on a musical’s form, whether integrated, sung through, concept, or other. The texts lyricists and librettists craft transport audiences into new spaces and are a useful starting point for examining the distinctions of musical theatre dramaturgy. This chapter explores how lyricists and librettists, including Micki Grant and Lynn Ahrens and Stephen Flaherty, build worlds that impact the dramaturgical structure of their musicals. She Loves Me (1963) and Ragtime (1998) will illustrate how popular romantic tropes contribute to this work while spectacle in the concept musicals Evita (1978) and Elisabeth (1992) demonstrate contributions made by ideology and aesthetics." @default.
- W4310362824 created "2022-12-09" @default.
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- W4310362824 date "2022-11-29" @default.
- W4310362824 modified "2023-09-24" @default.
- W4310362824 title "“How a World Can Seem So Vast”" @default.
- W4310362824 doi "https://doi.org/10.4324/9780429260247-6" @default.
- W4310362824 hasPublicationYear "2022" @default.
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