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• W4311402600 abstract "Editor's Note Mari Yoshihara This issue begins with two essays that explore the contested meaning-making—about land, time, colonialism, race, freedom, and self-determination—centered on 1811. Through Indigenous and settler responses to the New Madrid Earthquakes of 1811–12, Dana Luciano examines the inscription of settler-national time on the land that identifies the Indian with cultural and geological pasts, on the one hand, and the pan-Indigenous anticolonial interweaving of the earth's past and the land's present, on the other. Nicholas Farrell Bloom looks at the normative narrative about slave revolts through archival documentation of the 1811 German Coast Uprising in southeastern Louisiana and illustrates how the narrative of reactionary romance was weaponized to expand plantation slavery and American empire and to limit the moral and political imagination underpinning those structures. Daniella Cádiz Bedini examines Martin Robison Delany's writing on Cuban annexationism and the poet Plácido in relation to the voluminous writing that circulated Plácido's public execution in 1844. Analyzing the work of citation, literary interpretation, and translation in Delany's serialized novel Blake, she situates his vision of anticolonial fraternity and hemispheric emancipation in relation to the work of his contemporaries. In an innovative community-engaged and choreographic study of Buffalo Dance (1894), one of the earliest films to depict Native Americans, Tria Blu Wakpa reads the film as an expression of Lakota sovereignty and survival within the confines of US settler colonialism. She further considers the contemporary implications of Buffalo Dance choreographies through the 2020 performance of George Blue Bird, a direct descendant of a performer in the film. In another study of visual culture, LiLi Johnson examines the role of photographs in transnational adoption from Asia. Through archival accounts of adoption from China and the film In the Matter of Cha Jung Hee, by the Korean adoptee Deann Borshay Liem, Johnson analyzes referral photographs' function as a technology of family that facilitates the child's affective inclusion into the family while simultaneously racializing the adoptee. The last two essays approach contemporary contestations of colonialism in the Pacific in different ways. Malini Johar Schueller examines the 2001 centennial commemoration of the arrival of American teachers in the Philippines aboard the US Army Transport Thomas. Through analysis of commemorative discourses with American and Filipino subjects, the essay reveals the contested nature of memory-making of US sentimental colonialism in the Philippines. [End Page v] In the final essay, Jessica Hurley uses the Applied Fisheries Laboratory archives to argue that through nuclear testing the US applied older settler colonial principles of property and appropriation to previously unclaimed ocean spaces. The analysis of the Marshall Islands Student Association's 2019 campaign My Fish Is Your Fish powerfully asks us to consider what decolonization means in an oceanscape permanently occupied by radiation. We are delighted to feature a forum in tribute to the legendary Chicana advocate and journalist Elizabeth Betita Martínez, who passed away on June 29, 2021. Sarah M. Quesada and Maylei Blackwell have curated a rich collection of essays that feature the legacies Martínez has left through her lifetime of writing, organizing, and mentoring and how it offers a framework for American studies' engagement with historical knowledge, women of color feminism, and youth activism. Evyn Lê Espiritu Gandhi reviews three important works that interrogate the anti-Indigenous entanglements structured by militarism, settler colonialism, and liberal empire. Nishant Upadhyay discusses four recent books that trace the colonial history of anti-trans violence and point to the futures signaled by trans of color framework. In the Event Review section, Charlotte Hecht discusses Devour the Land: War and American Landscape Photography since 1970 at the Special Exhibitions Gallery of Harvard Art Museums; Michael J. Murphy assesses Coded: The Hidden Love of J. C. Leyendecker, a documentary film on the life and work of one of the most prolific illustrators of the golden age of American illustration. [End Page vi] Copyright © 2022 The American Studies Association" @default.
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