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- W4312264722 abstract "Notions of subjectivity and individuality pervade the discourse around jazz and non-idiomatic improvisation. While subjectivity plays an important role musical improvisation, the tendency to focus on the subjectivity of the player(s) – analysing their particular improvisatory approach(es) – has muddied the broader structure at issue: where the musical event goes beyond the players and leads them to unforeseen musical outcomes. In this paper I reassess the role of subjectivity in improvised music by interpreting it through a hermeneutic lens. I connect musical improvisation with three ideas characteristic of hermeneutics: prejudice/fore-understanding, conversation, and in-between. In each case I will describe how these topics describe improvisation and suggest means of arriving at a more nuanced understanding of the role of subjectivity in improvised musical performance." @default.
- W4312264722 created "2023-01-04" @default.
- W4312264722 creator A5036424913 @default.
- W4312264722 date "2022-07-20" @default.
- W4312264722 modified "2023-10-16" @default.
- W4312264722 title "Reassessing the Role of Subjectivity in Improvised Musical Performance" @default.
- W4312264722 doi "https://doi.org/10.21083/csieci.v15i1.5408" @default.
- W4312264722 hasPublicationYear "2022" @default.
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