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- W4312306871 abstract "This article aims to demonstrate how creative practice resulting in a design-art exhibition can function as a platform to deliver knowledge and simultaneously collect data on the correlation between symmetry and beauty. The paper includes a short glimpse of my research of a series of split plywood pieces made by Israeli industrial designer Yaacov Kaufman (b. Poland, 1945) as part of his independent creative research practice. In my research, still in progress, I combine mixed- methods tools in my methodology, including curatorial practice involving exhibition visitors as ex- ternal research participants. The artefacts analysis, supported by the preliminary results from the questionnaires, expresses how harmony and balance, terms frequently related to symmetry, are achieved thanks to intuitive decisions made as part of Kaufman’s reflective discussion following repetitive actions. I argue that the never-ending struggle between art and design that especially characterizes Kaufman’s professional identity, as embodied in the artefacts and in his reflection on his own process, plays a significant role in transforming the series into visual research examining symmetry as an inherent component of aesthetic perception. Kaufman’s creative process moves be- tween perfection and beauty to ugliness and imperfection, between the idea that everything is possi- ble and the assumption that there may be only one answer: symmetry." @default.
- W4312306871 created "2023-01-04" @default.
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- W4312306871 date "2022-01-01" @default.
- W4312306871 modified "2023-10-07" @default.
- W4312306871 title "Split Plywood as a Platform for Creative Research on Symmetry" @default.
- W4312306871 doi "https://doi.org/10.24840/1447-607x/2022/12-09-078" @default.
- W4312306871 hasPublicationYear "2022" @default.
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