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- W4312342888 abstract "Abstract One common feature of all the works I am interpreting is the use of frontispieces, and they are one of the textual elements I analyzed in the chapters devoted to the two Discourses and will analyze in the chapter on the Social Contract. Chapter 4 is devoted in its entirety to an analysis of the five illustrations in Emile. These illustrations educate and test the reader of the work by their allegorical character and especially by the complex dialogue Rousseau establishes between the illustrations and the text. To take the frontispiece to Book I and to Emile as a whole as an example, Rousseau proclaims that the allegory of Thetis dipping her son into the Styx portrayed on the frontispiece is “clear,” but analysis of the text reveals that it is far from clear, and is in fact is misleading. Unlike Achilles, but for his heel, Emile is not rendered invulnerable to loss and mortality and the passions such as anger and pride generated by a corrupt desire for domination and immortality. The other engravings Rousseau commissioned for Emile are similarly complex, and they constitute a test of the reader’s progress." @default.
- W4312342888 created "2023-01-04" @default.
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- W4312342888 date "2020-01-01" @default.
- W4312342888 modified "2023-09-26" @default.
- W4312342888 title "Chapter 4" @default.
- W4312342888 doi "https://doi.org/10.7208/chicago/9780226689289.003.0005" @default.
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