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- W4312561744 abstract "Abstract The conclusion revisits the core argument regarding how musical practice and the broader field of cultural production regarding contemporary tango in Buenos Aires has been reframed in the age of expediency. Far from a static national genre or uncontested symbol of Argentina, tango has been and remains a historically informed yet essentially open ended zone of engagement in which a diverse group of intention-filled actors can stake their expedient claims, musical and otherwise. Accounting for these claims requires a renewed commitment to critical engagement with the managerial regimes, including the cultural industries and other media corporations, nonprofit and nongovernmental arts organizations, the cultural policies of local and national governments, and the artistic practice of working musicians. That engagement is fortified by two of the key ideas presented here: that cultural management is itself a mode of cultural practice and therefore very much open to the analytical tools of critical music scholarship and whatever power managerial regimes wield in shaping social, political, and economic life in the age of expediency is ultimately derived from the collective values and social meanings that are invested in musical culture as social practice." @default.
- W4312561744 created "2023-01-05" @default.
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- W4312561744 date "2016-01-01" @default.
- W4312561744 modified "2023-10-01" @default.
- W4312561744 title "Conclusion: He Sings Better Every Day" @default.
- W4312561744 doi "https://doi.org/10.7208/chicago/9780226385686.003.0007" @default.
- W4312561744 hasPublicationYear "2016" @default.
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