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- W4312929638 abstract "Abstract This chapter summarizes the various conclusions suggested by the concrete examples analyzed in the preceding chapters. It suggests that the techniques employed there are essentially identical to what Leonard B. Meyer in Music, the Arts, and Ideas called paraphrase, borrowing, simulation, and modelling. But it goes on to argue that the classicists of the ’20s used those techniques not only to remind contemporary readers, listeners, and viewers of the themes, styles, and values of antiquity, but also, through such modern devices as distortion (Picasso), dissonance (Stravinsky), and heteroglossia (Eliot and Joyce), to alert us to the irrecoverable distance between past and present." @default.
- W4312929638 created "2023-01-05" @default.
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- W4312929638 date "2014-01-01" @default.
- W4312929638 modified "2023-10-16" @default.
- W4312929638 title "7. Classicism of the Twenties?" @default.
- W4312929638 doi "https://doi.org/10.7208/chicago/9780226184036.003.0008" @default.
- W4312929638 hasPublicationYear "2014" @default.
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