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- W4313134311 abstract "Abstract This chapter focuses on Rudolf Laban, early twentieth century choreographer and theorist of modern dance and his text The World of the Dancer, Die Welt des Tänzers. It uncovers the many contextual layers – aesthetic, scientific, occult, and political – deposited in Laban’s vision of dancerly environment. In terms such as kinesphere, Laban suggests that space in dance is not an inert background but rather an active receptacle for bodily movements that extend dancers beyond their physical bounds. Dance movements create shapes not only in the body but also in the immediate space surrounding the dancer. Laban’s experiences with the quintessential fluid of air, encountered in its concrete sense in his climate therapy and in his choreography of open-air dances, influenced his space-centered dance theory, in which the dancer’s spatial atmosphere takes center-stage. Laban’s understanding of dance as overspilling into the atmosphere implies not only an ecological oneness between humans and nature, or a cosmological oneness between humans and the universe, but also a social oneness performed in Laban’s movement choirs. Communal dance is problematic in view of Laban’s penchant for thinking in terms of national and racial categories, and in view of his later choreographing of Nazi mass dances." @default.
- W4313134311 created "2023-01-06" @default.
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- W4313134311 date "2021-01-01" @default.
- W4313134311 modified "2023-10-01" @default.
- W4313134311 title "4. The “Kinesphere” and the Body’s Other Spatial Envelopes in Rudolf Laban’s Theory of Dance" @default.
- W4313134311 doi "https://doi.org/10.7208/chicago/9780226764801.003.0005" @default.
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