Matches in SemOpenAlex for { <https://semopenalex.org/work/W4313357837> ?p ?o ?g. }
Showing items 1 to 72 of
72
with 100 items per page.
- W4313357837 endingPage "156" @default.
- W4313357837 startingPage "151" @default.
- W4313357837 abstract "As one of the most penetrating media, film is an important expression of national cultural soft power. From the beginning of the 20th century to the present, American film culture has swept the world, directly or indirectly dominating the global screen entertainment. Relying on its mature film industry, the United States has rapidly penetrated its culture and values to the world, affecting the cultural identities of other countries. (Under the long-term hegemony of Hollywood values, the Mexican film culture as its neighbor has been seriously affected. In Hollywood films, Mexico seems to be synonymous with chaos, poverty and violence. For Mexican filmmakers, how to keep the Mexican style in the film in the encirclement and suppression of American films is the first problem, and then the goal is to show the real Mexico to the world. In response to this situation, some Mexican filmmakers have successively tried a genre-based creative path, transplanting the Hollywood genre film model into the local narrative, in order to achieve a balance between commerciality and artistry. This is also the goal that a group of Mexican filmmakers of the new genre have always pursued. They reject the domineering cultural fusion of Hollywood, but take the initiative to choose the wall that crosses national borders, galloping into the global film industry with Mexican concepts and creativity. One of the worthiest of exploration is the Mexican director Alessandro Gonzalez Inarito, because he has lived in the United States for a long time, so he has witnessed the situation of Mexicans in the United States, in his film The two perspectives of the United States and Mexico have appeared many times, intuitively revealing Mexico in the eyes of Americans. And almost all the films he shoots contain Mexican elements, trying to break the world's stereotypes about Mexico through the perspective of Mexicans. In the past ten years, Mexican films have made good news on the international stage and become one of the most active countries in the film industry in the world. Therefore, through the study of Alessandro's films, it is necessary to break the Mexico established by the United States and to re-establish the understanding of Mexico and its films." @default.
- W4313357837 created "2023-01-06" @default.
- W4313357837 creator A5024461381 @default.
- W4313357837 date "2022-11-07" @default.
- W4313357837 modified "2023-09-30" @default.
- W4313357837 title "Mexican Retrogrades in the Wave of American Film Culture" @default.
- W4313357837 doi "https://doi.org/10.54691/bcpep.v7i.2628" @default.
- W4313357837 hasPublicationYear "2022" @default.
- W4313357837 type Work @default.
- W4313357837 citedByCount "0" @default.
- W4313357837 crossrefType "journal-article" @default.
- W4313357837 hasAuthorship W4313357837A5024461381 @default.
- W4313357837 hasBestOaLocation W43133578371 @default.
- W4313357837 hasConcept C124952713 @default.
- W4313357837 hasConcept C135121143 @default.
- W4313357837 hasConcept C142362112 @default.
- W4313357837 hasConcept C144024400 @default.
- W4313357837 hasConcept C17744445 @default.
- W4313357837 hasConcept C178601582 @default.
- W4313357837 hasConcept C189326681 @default.
- W4313357837 hasConcept C199033989 @default.
- W4313357837 hasConcept C199539241 @default.
- W4313357837 hasConcept C2780458788 @default.
- W4313357837 hasConcept C29595303 @default.
- W4313357837 hasConcept C2985708247 @default.
- W4313357837 hasConcept C33285361 @default.
- W4313357837 hasConcept C512170562 @default.
- W4313357837 hasConcept C519580073 @default.
- W4313357837 hasConcept C52119013 @default.
- W4313357837 hasConcept C54040653 @default.
- W4313357837 hasConcept C94625758 @default.
- W4313357837 hasConcept C95457728 @default.
- W4313357837 hasConcept C96089941 @default.
- W4313357837 hasConceptScore W4313357837C124952713 @default.
- W4313357837 hasConceptScore W4313357837C135121143 @default.
- W4313357837 hasConceptScore W4313357837C142362112 @default.
- W4313357837 hasConceptScore W4313357837C144024400 @default.
- W4313357837 hasConceptScore W4313357837C17744445 @default.
- W4313357837 hasConceptScore W4313357837C178601582 @default.
- W4313357837 hasConceptScore W4313357837C189326681 @default.
- W4313357837 hasConceptScore W4313357837C199033989 @default.
- W4313357837 hasConceptScore W4313357837C199539241 @default.
- W4313357837 hasConceptScore W4313357837C2780458788 @default.
- W4313357837 hasConceptScore W4313357837C29595303 @default.
- W4313357837 hasConceptScore W4313357837C2985708247 @default.
- W4313357837 hasConceptScore W4313357837C33285361 @default.
- W4313357837 hasConceptScore W4313357837C512170562 @default.
- W4313357837 hasConceptScore W4313357837C519580073 @default.
- W4313357837 hasConceptScore W4313357837C52119013 @default.
- W4313357837 hasConceptScore W4313357837C54040653 @default.
- W4313357837 hasConceptScore W4313357837C94625758 @default.
- W4313357837 hasConceptScore W4313357837C95457728 @default.
- W4313357837 hasConceptScore W4313357837C96089941 @default.
- W4313357837 hasLocation W43133578371 @default.
- W4313357837 hasOpenAccess W4313357837 @default.
- W4313357837 hasPrimaryLocation W43133578371 @default.
- W4313357837 hasRelatedWork W1555394087 @default.
- W4313357837 hasRelatedWork W2050149094 @default.
- W4313357837 hasRelatedWork W2071975186 @default.
- W4313357837 hasRelatedWork W2083996066 @default.
- W4313357837 hasRelatedWork W2280656726 @default.
- W4313357837 hasRelatedWork W2343490626 @default.
- W4313357837 hasRelatedWork W2422998204 @default.
- W4313357837 hasRelatedWork W3125426262 @default.
- W4313357837 hasRelatedWork W4281261984 @default.
- W4313357837 hasRelatedWork W4313357837 @default.
- W4313357837 hasVolume "7" @default.
- W4313357837 isParatext "false" @default.
- W4313357837 isRetracted "false" @default.
- W4313357837 workType "article" @default.