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- W4313398035 abstract "Due to the COVID-19 pandemic showcase festival Eurosonic Noorderslag 2021 took place entirely online. One of its elements consisted of numerous prerecorded videos (each about 15 min long) that showcased artists performing “live”. The unique pandemic circumstances, which forced participating musicians to experiment with a new format, made it possible to observe how various emerging artists utilized their performance capital and media affordances created by the festival organizers to develop their careers in the difficult realities of the COVID-19 pandemic. The purpose of this paper is to discover what approaches were adopted by artists to make the festival videos and what these approaches tell us about the online performance capital possessed by artists. Analysis of empirical material suggests that the Eurosonic Noorderslag videos should be conceptualized as a continuum of types ranging from “pure” concert footage through videos that mimic a concert performance but contain elements that clearly suggest special pandemic circumstances to videos that present innovative interpretations of music video-clip conventions. A video's position in the continuum does not depend only on levels of online performance capital held by an artist because low levels of this capital can be masked by the artist's social and economic capital." @default.
- W4313398035 created "2023-01-06" @default.
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- W4313398035 date "2023-02-01" @default.
- W4313398035 modified "2023-10-18" @default.
- W4313398035 title "Building performance capital during hard lockdown: Insights from the ESNS 2021 virtual-only showcase festival" @default.
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- W4313398035 doi "https://doi.org/10.1016/j.poetic.2022.101758" @default.
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