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- W4313446022 abstract "In the history of French comics, Barbarella is usually perceived as a turning point towards the “adult” bande dessinée. Released as an album by avant-garde publisher Eric Losfeld in 1964, Barbarella is key to the Bildungsroman narrative structuring the history of the ninth art. Whereas Astérix plays on the ambiguities and multi-layered readings of both children and their parents, Barbarella—a sexualized space opera created by veteran comics artist Jean-Claude Forest—unquestionably targets a male adult audience. A closer reading of Barbarella allows us to nuance this simplistic interpretation of French comics history. The 1964 album was a reprint of a story previously released in serial instalments in the pornographic V magazine. When published as a book, Barbarella was thoroughly transformed by the materiality of the format, allowing for a new narrative rhythm, structured in chapters. The monumentality of the book engendered an auteur-driven approach to comics. Barbarella, then, represents a key moment in comics publishing, and a crucial model for the literary turn in comics. Its reception, both by the then-emerging fan culture and by the Commission de surveillance et de contrôle in charge of comics censorship, throws light on the difficulties facing the emerging “adult” comics scene. Roger Vadim’s problematic adaptation (and the new version of the book released alongside the movie) played a major role in the canonisation of Barbarella as a pop icon." @default.
- W4313446022 created "2023-01-06" @default.
- W4313446022 creator A5034709788 @default.
- W4313446022 date "2023-01-01" @default.
- W4313446022 modified "2023-09-23" @default.
- W4313446022 title "Barbarella: Inventing Adult Comics Through the Book" @default.
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- W4313446022 doi "https://doi.org/10.1007/978-3-031-17001-0_2" @default.
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