FRINK Linked Data Fragments server

Matches in SemOpenAlex for { <https://semopenalex.org/work/W4313465583> ?p ?o ?g. }

• W4313465583 endingPage "248" @default.
• W4313465583 startingPage "238" @default.
• W4313465583 abstract "The aim of the article is to highlight multisemiotic patterns of emotive meaning making in feature films. The research tasks are: to explore the meaning-making mechanism in a cognitive-pragmatic perspective; to determine the cognitive-semiotic basics of emotive meaning making; and to identify the meaning-making potential of semiotic resources as well as to single out multisemiotic constructive patterns. To reach the aim, we apply an integrative cognitive-pragmatic and cognitive-semiotic approach, which requires the use of discursive and semiotic research methods. In cognitive-pragmatic perspective, we stress the intersubjective interaction of filmmakers and viewers in constructing ‘meaning-in-context’. The cognitive-semiotic vantage point emphasizes dynamic, enactive, and embodied character of meaningmaking in cinematic discourse. Film is a multimodal and multisemiotic phenomenon, where a synergistic combination of verbal, nonverbal, and cinematic semiotic systems constructs the film meaning through audial and visual modes. These semiotically heterogeneous resources – a verbal language, an image, and specific cinematic signs – are blended to construct emotive meaning; and the configurations of these signs determine particular contextual properties of emotions. In film, emotive meaning emerges at the intersection of audial and visual modes as realized by different semiotic resources. Each semiotic resource contains specific meaningful elements characteristic of a certain semiotic resource. Building on the theory of conceptual integration, we claim that emotive meaning in cinematic discourse is a blend constructed by cross-mapping of information from three input spaces corresponding to verbal, nonverbal, and cinematic semiotic resources. The number of blends can be countless as the process of meaningmaking is dynamic and depends upon the communicative situation. The change of any semiotic element may cause the construction of a new meaning demonstrating the emergent character of meaning-making. In semiotic and pragmatic perspectives, we have singled out the combination of semiotic resources along two main criteria: static and dynamic. The static criterion enables to distinguish patterns by parameters of quantity of semiotic resources in a shot, the quality of emotion in each resource, and their salience in film. The dynamic criterion makes it possible to single out the time patterns due to the appearance of each resource on the screen. Accordingly, we argue that there are eight multimodal patterns of semiotic resource configurations, which construct the emotive meaning in cinematic discourse: three-component and two-component, convergent and divergent, parity and non-parity, and synchronous and consecutive patterns. These patterns demonstrate the paradigmatic regulations of combining semiotic resources in cinematic discourse. The peculiarities of emotive meaning-making are illustrated based on the material of the construction of anger in the American drama film “The Beautiful Boy”. Emotive meaning-making in film occurs in two dimensions: material-perceptual and socio-semiotic, as the emotive meaning can be represented physically on the screen, as well as through the implementation of socio-cultural values." @default.
• W4313465583 created "2023-01-06" @default.
• W4313465583 creator A5015655488 @default.
• W4313465583 creator A5036414976 @default.
• W4313465583 date "2022-12-20" @default.
• W4313465583 modified "2023-09-25" @default.
• W4313465583 title "MULTISEMIOTIC PATTERNS OF EMOTIVE MEANING-MAKING IN FILM" @default.
• W4313465583 cites W1946086219 @default.
• W4313465583 cites W1965661213 @default.
• W4313465583 cites W2101944337 @default.
• W4313465583 cites W2103504222 @default.
• W4313465583 cites W2137284728 @default.
• W4313465583 cites W2941560728 @default.
• W4313465583 cites W2998523305 @default.
• W4313465583 cites W3212268044 @default.
• W4313465583 cites W4212877729 @default.
• W4313465583 cites W4230109578 @default.
• W4313465583 cites W4234632369 @default.
• W4313465583 cites W4243620174 @default.
• W4313465583 cites W62424353 @default.
• W4313465583 doi "https://doi.org/10.32342/2523-4463-2022-2-24-20" @default.
• W4313465583 hasPublicationYear "2022" @default.
• W4313465583 type Work @default.
• W4313465583 citedByCount "1" @default.
• W4313465583 countsByYear W43134655832023 @default.
• W4313465583 crossrefType "journal-article" @default.
• W4313465583 hasAuthorship W4313465583A5015655488 @default.
• W4313465583 hasAuthorship W4313465583A5036414976 @default.
• W4313465583 hasBestOaLocation W43134655831 @default.
• W4313465583 hasConcept C111472728 @default.
• W4313465583 hasConcept C138885662 @default.
• W4313465583 hasConcept C139997677 @default.
• W4313465583 hasConcept C151730666 @default.
• W4313465583 hasConcept C15744967 @default.
• W4313465583 hasConcept C188147891 @default.
• W4313465583 hasConcept C2776215170 @default.
• W4313465583 hasConcept C2779343474 @default.
• W4313465583 hasConcept C2780876879 @default.
• W4313465583 hasConcept C2781276458 @default.
• W4313465583 hasConcept C41895202 @default.
• W4313465583 hasConcept C542102704 @default.
• W4313465583 hasConcept C86803240 @default.
• W4313465583 hasConceptScore W4313465583C111472728 @default.
• W4313465583 hasConceptScore W4313465583C138885662 @default.
• W4313465583 hasConceptScore W4313465583C139997677 @default.
• W4313465583 hasConceptScore W4313465583C151730666 @default.
• W4313465583 hasConceptScore W4313465583C15744967 @default.
• W4313465583 hasConceptScore W4313465583C188147891 @default.
• W4313465583 hasConceptScore W4313465583C2776215170 @default.
• W4313465583 hasConceptScore W4313465583C2779343474 @default.
• W4313465583 hasConceptScore W4313465583C2780876879 @default.
• W4313465583 hasConceptScore W4313465583C2781276458 @default.
• W4313465583 hasConceptScore W4313465583C41895202 @default.
• W4313465583 hasConceptScore W4313465583C542102704 @default.
• W4313465583 hasConceptScore W4313465583C86803240 @default.
• W4313465583 hasIssue "24" @default.
• W4313465583 hasLocation W43134655831 @default.
• W4313465583 hasLocation W43134655832 @default.
• W4313465583 hasOpenAccess W4313465583 @default.
• W4313465583 hasPrimaryLocation W43134655831 @default.
• W4313465583 hasRelatedWork W1988603452 @default.
• W4313465583 hasRelatedWork W2561413091 @default.
• W4313465583 hasRelatedWork W2801607112 @default.
• W4313465583 hasRelatedWork W3028299907 @default.
• W4313465583 hasRelatedWork W3041704469 @default.
• W4313465583 hasRelatedWork W3167630016 @default.
• W4313465583 hasRelatedWork W4225006929 @default.
• W4313465583 hasRelatedWork W4313465583 @default.
• W4313465583 hasRelatedWork W4379516078 @default.
• W4313465583 hasRelatedWork W4384915907 @default.
• W4313465583 hasVolume "2" @default.
• W4313465583 isParatext "false" @default.
• W4313465583 isRetracted "false" @default.
• W4313465583 workType "article" @default.