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- W4319707251 abstract "The Foundation of the Berliner Ensemble (BE) on 1 September 1949 in East Berlin gave Brecht the resources he needed to develop approaches to making theater: approaches that, for the most part, it had only been possible to theorize during his fifteen years in exile. According to the contract between the Soviet occupying authorities and Brecht’s wife Helene Weigel, the BE was to receive just over one and a quarter million marks in its first year, despite the fact that the BE was a theater company that did not have its own theater building. Initially, the BE was only a guest at the Deutsches Theater (DT) and had to wait until 1954 to gain full control over its means of production when it finally moved to the Theater am Schiffbauerdamm. The financial security guaranteed by the state, however, gave Brecht the freedom to experiment, not only with production aesthetics but also with the very way that a theater could be organized." @default.
- W4319707251 created "2023-02-10" @default.
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- W4319707251 date "2011-10-17" @default.
- W4319707251 modified "2023-10-01" @default.
- W4319707251 title "Undogmatic Marxism: Brecht Rehearses at the Berliner Ensemble" @default.
- W4319707251 doi "https://doi.org/10.1017/9781571137791.002" @default.
- W4319707251 hasPublicationYear "2011" @default.
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