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- W4320166171 abstract "Dukas’s formal training spanned piano, harmony and composition studies at the Paris Conservatoire from 1880 to 1889. During that period, he produced a few pieces which remain unpublished but have received a handful of performances and recordings since the 1990s. The first part of this chapter surveys the juvenilia, scoping out the relationships between these scores and the composer’s mature output; I comment on the Polyeucte overture too as a transitional work bridging these periods. The second part of the chapter is both a chronological and thematic continuation: I explore the young musician’s ‘unofficial’, self-directed schooling that began when he became resident critic for La Revue hebdomadaire in 1892. It was the ideal situation for one who felt short-changed by the educational establishment. An inclination to rebel against the Conservatoire was not merely youthful posturing. Dukas continued to voice reservations about its policies in his analysis of 1890s Paris as a challenging environment for emerging composers." @default.
- W4320166171 created "2023-02-13" @default.
- W4320166171 date "2019-04-22" @default.
- W4320166171 modified "2023-09-27" @default.
- W4320166171 title "An Intellectual and Aesthetic Formation: From Student Composer to Music Critic" @default.
- W4320166171 doi "https://doi.org/10.1017/9781787445109.002" @default.
- W4320166171 hasPublicationYear "2019" @default.
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