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- W4321510126 abstract "Italian music in the first half of the seventeenth century acknowledged two styles: the prima prattica, a continuation of the polyphonic style of the sixteenth century, which composers used mainly for church music, and the seconda prattica, which embraced all the innovations that had emerged in secular music during the sixteenth century. Monteverdi made significant contributions to both, but above all he is remembered for his contribution to the seconda prattica. Il combattimento di Tancredi e Clorinda, which he composed for a concert of madrigals in the palazzo of the Venetian nobleman Girolamo Mocenigo in 1624, represents his indebtedness to what he and others had already achieved in the ‘second practice’: declamatory solo singing (the stile rappresentativo), the basso continuo, the use of instruments, the expressive use of dissonance and the increasing gravitation towards tonality. As mentioned in Chapter One, it also introduced into music a technique that was entirely new, the stile concitato, or ‘agitated style’." @default.
- W4321510126 created "2023-02-24" @default.
- W4321510126 date "2015-06-18" @default.
- W4321510126 modified "2023-09-27" @default.
- W4321510126 title "Antecedents" @default.
- W4321510126 doi "https://doi.org/10.1017/9781782044888.004" @default.
- W4321510126 hasPublicationYear "2015" @default.
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