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- W4321637977 abstract "Foremost amongst the politically engaged Italian composers of the generation after Dallapiccola was Luigi Nono. A Venetian by birth (1924) and death (1990), he also, like Dallapiccola and many others, evinced considerable interest in early ‘Italian’, often Venetian, music; Nono’s final music drama, Prometeo, often conjures up the impression of a marriage between Marx and Palestrina, mediated by Walter Benjamin and Nono’s librettist, Massimo Cacciari. For, as Nono’s friend and colleague, Claudio Abbado, attested, Nono ‘never lost the deep-rooted ties to the long tradition of Venetian music, as demonstrated by his unerring feeling for the relation of sound and space, recalling the music Gabrieli wrote for the church of San Marco. Gigi’s sense of an espressivo or cantabile line also stems from this tradition.’1 We might also remind ourselves that the lineage of German musical tradition might be traced via Heinrich Schütz to that very same source." @default.
- W4321637977 created "2023-02-24" @default.
- W4321637977 date "2014-10-16" @default.
- W4321637977 modified "2023-09-26" @default.
- W4321637977 title "Luigi Nono, Intolleranza 1960" @default.
- W4321637977 doi "https://doi.org/10.1017/9781782044079.008" @default.
- W4321637977 hasPublicationYear "2014" @default.
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