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- W4322730000 abstract "Song composers since the Renaissance have tended to set texts according to the speech rhythms of the poetic lines. As analysts, we often take good declamation for granted, noting only occasional faux pas of accentuation or awkward phrasing. Investigations of the relation of text to music in song address other questions of textrelated expressivity and musical coherence but seldom examine this fundamental area of text-music coordination. Our purpose in this chapter is to call attention to Schubert's mastery of declamation, specifically with regard to his settings of pentameter poetry. We hope to show that these settings, while responding to the rhythmic requirements of the texts, at the same time artfully integrate a handful of stock declamatory patterns into the musical whole and, furthermore, that these rhythms themselves may become prominent motivic and expressive features of the songs." @default.
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- W4322730000 date "2010-04-15" @default.
- W4322730000 modified "2023-09-23" @default.
- W4322730000 title "Text and Music in Schubert’s Settings of Pentameter Poetry" @default.
- W4322730000 doi "https://doi.org/10.1017/9781580467599.008" @default.
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