Matches in SemOpenAlex for { <https://semopenalex.org/work/W4323359168> ?p ?o ?g. }
Showing items 1 to 54 of
54
with 100 items per page.
- W4323359168 endingPage "846" @default.
- W4323359168 startingPage "819" @default.
- W4323359168 abstract "In this paper I consider the relation between existential semiotics (ES) and musical hermeneutics (MH) particularly on the issue of musical sense advention. As existential, ES roots the becoming sign of sign in Heidegger’s hermeneutic circle, the Dasein’s structure of pre-understanding. But, as a semiotics, it aims to return from existence to sign, appealing, as Charles (2007) said, to Gadamer’s or Ricoeur’s philosophical hermeneutics to enlarge the problem in direction of what Ricoeur (1986) calls “the need for experience to become sign or text.” I take the problem where Charles has left it. - Broadening the subject from general philosophical hermeneutics to regional MH, I pose that, as a musical semiotics this time, ES is concerned with the MH’s thesis (Vecchione 2009, 2013) that (1) Musiklichkeit (musicianity) - the musical hermeneutic experience embedded in Dasein - is a specification of Gadamer’s Sprachlichkeit (the linguistic constitution of hermeneutic experience of the world) enlarged from linguisticity to languagiarity of musical experience; and (2) that musicianity (Musiklichkeit) is constitutive of an experience (Lebenswelt) that includes both musical experience of life and musical experience of music. - This problem I called “musication of existence” (Vecchione 2009: 267), shows that, such as MH, ES is concerned (1) with the Dasein’s necessity to be questioned on its own non-verbal (and therefore musical) part of hermeneutic experience (the fact that Being also needs to become meaningful musical signs or works); (2) but also with the dialectic between musical veritas - musical enunciating of Being (included musical Being) - and musical aletheia - musical annunciating of Being (including musical Being) to the breaking of musical enunciating; (3) and, by this means, with the MH’s conjunction between an OB (. . .of Being) philosophy (musical enunciating of Being, musical annunciating of Being to the breaking of musical enunciating) and a BO (Being of. . .) philosophy (Being of musical enunciating, Being of musical annunciating to the breaking of musical enunciating). - By that way, ES appears as, not only related to the author’s, the performer’s, or the receiver’s, the music reader’s acting; but also to music which participates in its own history, its own traditions of writing and meaning; and to the changing advention of music, the musical Being adventure through cultures, history and societies, the becoming of musical Being (Vecchione 2013) that is the need for Being to become new meaningful musical signs and works and to deploy music into innovative possibilities for music to be music (Vecchione 2008)." @default.
- W4323359168 created "2023-03-08" @default.
- W4323359168 creator A5035114937 @default.
- W4323359168 date "2023-03-06" @default.
- W4323359168 modified "2023-10-18" @default.
- W4323359168 title "Existential semiotics and musical hermeneutics: On musical sense advention" @default.
- W4323359168 doi "https://doi.org/10.1515/9783110789164-047" @default.
- W4323359168 hasPublicationYear "2023" @default.
- W4323359168 type Work @default.
- W4323359168 citedByCount "0" @default.
- W4323359168 crossrefType "book-chapter" @default.
- W4323359168 hasAuthorship W4323359168A5035114937 @default.
- W4323359168 hasConcept C111472728 @default.
- W4323359168 hasConcept C124952713 @default.
- W4323359168 hasConcept C127882523 @default.
- W4323359168 hasConcept C13184196 @default.
- W4323359168 hasConcept C134306372 @default.
- W4323359168 hasConcept C138885662 @default.
- W4323359168 hasConcept C139676723 @default.
- W4323359168 hasConcept C139997677 @default.
- W4323359168 hasConcept C142362112 @default.
- W4323359168 hasConcept C33923547 @default.
- W4323359168 hasConcept C50379869 @default.
- W4323359168 hasConcept C558565934 @default.
- W4323359168 hasConceptScore W4323359168C111472728 @default.
- W4323359168 hasConceptScore W4323359168C124952713 @default.
- W4323359168 hasConceptScore W4323359168C127882523 @default.
- W4323359168 hasConceptScore W4323359168C13184196 @default.
- W4323359168 hasConceptScore W4323359168C134306372 @default.
- W4323359168 hasConceptScore W4323359168C138885662 @default.
- W4323359168 hasConceptScore W4323359168C139676723 @default.
- W4323359168 hasConceptScore W4323359168C139997677 @default.
- W4323359168 hasConceptScore W4323359168C142362112 @default.
- W4323359168 hasConceptScore W4323359168C33923547 @default.
- W4323359168 hasConceptScore W4323359168C50379869 @default.
- W4323359168 hasConceptScore W4323359168C558565934 @default.
- W4323359168 hasLocation W43233591681 @default.
- W4323359168 hasOpenAccess W4323359168 @default.
- W4323359168 hasPrimaryLocation W43233591681 @default.
- W4323359168 hasRelatedWork W1975089677 @default.
- W4323359168 hasRelatedWork W2092131724 @default.
- W4323359168 hasRelatedWork W2285669861 @default.
- W4323359168 hasRelatedWork W2356983775 @default.
- W4323359168 hasRelatedWork W2366997871 @default.
- W4323359168 hasRelatedWork W2381540093 @default.
- W4323359168 hasRelatedWork W2886005326 @default.
- W4323359168 hasRelatedWork W3039257276 @default.
- W4323359168 hasRelatedWork W4323359168 @default.
- W4323359168 hasRelatedWork W2581807751 @default.
- W4323359168 isParatext "false" @default.
- W4323359168 isRetracted "false" @default.
- W4323359168 workType "book-chapter" @default.