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- W4323764497 abstract "It has to be presumed that the second copy of Così fan tutte which contained Mozart's revised version V2 is lost, but we have already encountered many signs of its existence. The likely contents of this all-important source can best be reconstructed from the score Ca in Harvard, which stems from a branch of Transmission Line B. For Act I at least, the very closely related score S provides additional confirmation, while Treitschke's decision to use it as the basis for his 1804 translation Mädchentreue confirms the essential integrity of this revision as a ‘version’ of the opera. Unusually for an early copy of a Mozart opera, there are indications that Ca was at one time owned by an English speaker. Ferrando's Act I aria was restored (or perhaps repositioned) with the comment ‘Un aura amorosa comes next’. The score is, however, unconnected to the 1811 London première which was based on a very different version. The copyists hands do not show features of the Viennese system, yet the Harvard manuscript is of considerable significance, since it incorporates all the new cuts and revisions that define Mozart's revised Vienna version. These are listed in Table 28." @default.
- W4323764497 created "2023-03-11" @default.
- W4323764497 date "2008-09-18" @default.
- W4323764497 modified "2023-09-30" @default.
- W4323764497 title "Mozart's Revised Vienna Version" @default.
- W4323764497 doi "https://doi.org/10.1017/9781846156632.011" @default.
- W4323764497 hasPublicationYear "2008" @default.
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