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- W4327636995 abstract "There can be little doubt that music theorists value consistency as much as any epistemic value. The reasons for this are clear enough. Claiming that something and its opposite are both true creates difficulties in making predictions; though prediction may not be the sole purpose of scientific inquiry, it is always the bottom line. To quote Quine: “[Prediction] is what gives science its empirical content, its link with nature. It is what makes the difference between science, however high flown and imaginative, and sheer fancy.” When we confirm a theory, we do so through “the verification of its predictions.” The more predictions we verify, the more confident we will be about using our theory. The same can be said about building and testing music theories, as Schenker made perfectly clear near the start of Kontrapunkt I. According to him:" @default.
- W4327636995 created "2023-03-18" @default.
- W4327636995 date "2005-06-30" @default.
- W4327636995 modified "2023-09-29" @default.
- W4327636995 title "What Price Consistency?" @default.
- W4327636995 doi "https://doi.org/10.1017/9781580466530.005" @default.
- W4327636995 hasPublicationYear "2005" @default.
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