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- W4327777764 abstract "Using the linked motifs of colour and place, the author traces her last 15 years of artistic research through theory and practice, a pivotal moment being her completion of the first ‘research-creationResearch-creation’ doctoral dissertation at York University (Toronto, Canada) which was awarded the ABER SIG Dissertation Award (2008). The chapter tracks the beginnings of the author’s methods in the studio-based approaches of her MFA; and describes how during and since her doctoral work, her methods were deepened and enriched by social sciences inflected arts-based educational research and the UK’s understandings of practice-based research. The researcher positions her approach as ‘research-creationResearch-creation,’ the Canadian term for “an approach to research that combines creative and academic research practices, and supports the development of knowledge and innovation through artistic expression, scholarly investigation, and experimentation” (SSHRC, 2021), while she also draws on allied methods of oral historyOral history and ethnography. In 2008 taking up her tenure track (tenured 2013) position at Concordia University, and while supervising graduate artist-researchers, the author has continued to develop her transdisciplinary artistic practice addressing place and belonging via textilesTextiles, audio, video, installation, photography, and writing, and using the devices of colour to engage, explore and reflect her love of the natural world." @default.
- W4327777764 created "2023-03-19" @default.
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- W4327777764 date "2023-01-01" @default.
- W4327777764 modified "2023-10-17" @default.
- W4327777764 title "Colour and Place, for the Love of the World: Observations Along a Research-Creation Trajectory" @default.
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- W4327777764 doi "https://doi.org/10.1007/978-981-19-8547-8_9" @default.
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