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- W435883707 abstract "The topic of this thesis is Balzac's use of the sign and of hermeneutical reason. From 1829 to 1848, La Comedie humaine in its entirety centers around this regime of knowledge which makes the represented materials incarnate meaning, provide knowledge, and generally signify. With a view to analyzing the bases and consequences of the evidential paradigm (C. Ginzburg), I have thus sought to focus on the imaginary scenarios and textual strategies through which the relations between being and meaning are modeled, modulated and altered, formed and transformed. As a work of representation and of knowledge, the novel as Balzac produces it aims at revealing the intelligible at the heart of the sensible, by means of a disposition and an interpretation of signs. At the same time, a study of the grammar of immersion shows that La Comedie humaine elaborates a strongly Spinozist ontology in which being and meaning are immanent and render each other indistinguishable. Further, the writer as photographer ensures the advent of pure appearances, of superficiality, and stamps the horizontality of the Balzacian world (especially that of the 1840s) with a mark of disembodiment, levelling and foolishness. Freed from all transcendence and depth, the fictional bodies ultimately appear to be open only to becoming itself. The delineation of planes of immanence (G. Deleuze) and the logic of the gap constitute an aesthetics of distantiation, thereby injecting a new dynamic which reenchants the matter of the novel." @default.
- W435883707 created "2016-06-24" @default.
- W435883707 creator A5023219529 @default.
- W435883707 date "2003-01-01" @default.
- W435883707 modified "2023-09-24" @default.
- W435883707 title "L'être et le sens : une poétique du signe dans la Comédie humaine d'Honoré de Balzac" @default.
- W435883707 hasPublicationYear "2003" @default.
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