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- W4361760134 abstract "The article presents the results of the research on the influence of the timbre of the singing voice on the listeners' perception and interpretation of musical content of a vocal work. The author considers timbre as one of the main instruments to transmit semantic and aesthetic information, fixed in detail in the musical text. The peculiarities of this process are revealed by means of interdisciplinary methodology combining the approaches of psychoacoustics, as well as the methods of performing and timbre analyses. The musical samples were the soprano singers' interpretations of S. V. Rachmaninov's romance It's Good Here, irreproachable from the musical-aesthetic and vocal-technical points of view. Our research revealed that the acoustic characteristics of soprano perfectly complies with the sound images of the musical contents of the romance. Through different versions of the performers' interpretation of this vocal work, it is demonstrated that the semantic accents are mainly in accordance with the acoustic characteristics of a particular singer's voice. Among these are the primary zone of the singer's voice and the concentration of high and low singing formants, which determine the prevailing timbre colours. Besides, certain vocal techniques not only enrich the natural timbre with new overtones, but also result in a number of subtle metamorphoses in the listener's perception of the musical contents of the romance. The view on the musical contents of a vocal composition through the prism of the timbre component determines the novelty of the present article. The study of the special role of timbre in transmitting aesthetic and semantic musical information forms a promising direction course for further researches." @default.
- W4361760134 created "2023-04-04" @default.
- W4361760134 creator A5024329345 @default.
- W4361760134 date "2022-01-01" @default.
- W4361760134 modified "2023-09-27" @default.
- W4361760134 title "ABOUT THE INFLUENCE OF THE TIMBRE OF THE SINGING VOICE ON THE PERCEPTION OF THE CONTENT OF A VOCAL WORK (on the example of the performances of S. V. Rakhmaninov's romance It's Good Here)" @default.
- W4361760134 doi "https://doi.org/10.36871/hon.202203014" @default.
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