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- W4365384819 abstract "This chapter focuses on poet and artist Ketty La Rocca (1938–1976), who in 1970s Italy, still dominated by patriarchal institutions, felt the urgency to re-negotiate her subjective position by means of subversive materializations of feminine difference. Her intermedia works—giant polyhedral letters j; a book object mixing hand gestures and nonsense poetry; photographic series on self-erasure—are re-grounded in the context of the feminist audience of their time (which included critics Annemarie Sauzeau Boetti, Lea Vergine, Lucy Lippard) and compared with three coeval thinkers and artists (Adriana Cavarero, Giulia Niccolai, Carla Lonzi) equally engaged in the quest for female authority. Re-evaluating La Rocca’s experience in these terms allows the broadening of Italy’s recent cultural production, acknowledging the role of feminist theories and practices in defying its sexist dynamics." @default.
- W4365384819 created "2023-04-14" @default.
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- W4365384819 date "2023-01-01" @default.
- W4365384819 modified "2023-10-02" @default.
- W4365384819 title "Materializing Difference: Visions of Subjectivity in the Intermedia Works of Ketty La Rocca" @default.
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- W4365384819 doi "https://doi.org/10.1007/978-3-031-14816-3_13" @default.
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